Royal Albert Hall Designing the staged show at the Royal Albert Hall was a daunting task, as the space (or lack of) was not an easy one to translate a show into. Designer Matt Kinley initially planned to hold a concert-style production not unlike the, but Mackintosh made it clear the show would be fully staged, as both he and Lloyd Webber felt it would not work unless it was the whole show.Īs a result, the event was planned as a full show. Production Idea To mark the extraordinary milestone of 25 years, Andrew Lloyd Webber and Cameron Mackintosh planned a special 3-day production to take place at London's Royal Albert Hall in October 2011.An accomplished and impressively performed tribute it may be, then, but those wanting to relive its most glorious moments may find themselves pressing the fast-forward button far more often than was necessary.Ĭomments are closed. Fans who were lucky enough to see the show in person may also be disappointed that the star turn from its most renowned leading lady, on the 'Grand Finale' has been strangely omitted, even though the lengthy congratulatory speech from himself remains fully intact. But while the passages of dialogue on 'Think of Me' and 'Poor Fool, He Makes Me Laugh' may transmit well to its accompanying DVD, they feel slightly redundant here, and the constant applause, particularly the four-minute standing ovation that ends 'Down Once More/Track Down This Murderer,' suggests more extensive use of an editor would have been appreciated. ' Featuring all 22 songs from the 2011 -produced show, which starred as the Phantom, as Christine, and as Raoul, the first official West End cast recording since 2000 is certainly comprehensive. Creative Sound Card Driver Ct4810 For Windows 7. Celebrating its momentous achievement, this unique recording of its 25th anniversary show at London's Royal Albert Hall shows exactly why it's become such an institution, from the horror movie organs and haunting synths of the iconic 'Overture,' to the glass-shattering vocals and dramatic melodies of the anthemic title number, to the emotive balladry of 'The Music of the Night. Since its West End premiere in 1986, it has been seen by around 130 million people, earned both Tony and Olivier awards for Best Musical, and amassed a staggering five billion dollars worldwide at the box office.
To describe 's production of The Phantom of the Opera, the tale of a disfigured musical genius' obsession with a young soprano based on 's early 20th century novel, as a phenomenon would be something of an understatement.
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